Solo Exhibition
»In the forest and on its edges«
Photographs in color and black and white
Martin Zellerhoff
In his exhibition entitled “In the forest and on its edges” Martin Zellerhoff presents his images of woodland and other landscapes. This show contains the result of the artist delving into the apparent discrepancy between a yearning for nature and the awareness that, if humanity continues to behave the way it presently does, only a romanticised notion thereof will remain.
Having a look around not only alters the way we see things; it also changes what we are gazing at itself. It becomes a surface on to which we project our ideas.
Martin Zellerhoff not only captures depictions of shrubs and trees that he encounters; he works with the colours, surfaces, compositions and is able to construct some semblance of meaning therein. His works are not mere depictions of nature,; they deal with how humans treat depictions of nature. This is then but one example of how a situation depends on how it is perceived.
Forests are a good example of the gap between perception and reality: people see them as unspoilt nature although they are largely man-made. Human beings shape forests, first taking care of and then clearing them. The forest is constantly in flux, producing new biomass material. Yet from our limited human perspective, woodlands are seen as where nature overcomes human encroachment. In and on the margins of a forest, this divergence is evident: Zellerhof’s images are not primarily studies of nature as much as a continuation of his examination into how human perception changes through the ways that people deal with imagery. From this perspective, these pictures are about pictures themselves.
Martin Zellerhoff’s work is both a critical examination of the medium of photography itself and on the impact that it has on perception. Through personal history and developments in the medium, the artist presents how changes that have occurred in how we deal with technical images have an effect on our perception of reality.
Framework program
Sunday, April 22, 12 noon
Concert by Katrin Dasch u. Peter Dasch
March 17 — May 2 extended until May 9, 2018
Opening Reception: Friday, March 16, 7 pm
+ Framework program: please see above
Facebook Event
Südstern 6, 10961 Berlin
[Kreuzberg | Friedrichshain-Kreuzberg]
Opening hours: Wed – Sat 12 – 6 pm, and by appointment
Admission free
Photography exhibitions/events in…
PiB’s current print issue
PiB Guide Nº50
SEP/OCT 2023
#pibguide
Discover great photography exhibitions/events in Berlin in PiB’s bi-monthly print issue, the PiB Guide. The PiB Guide Nº50 SEP/OCT 2023 has been published as a booklet, A6 format · 28 pages · English & German · worldwide shipping.
Editorial deadlines · Redaktionsschlüsse
You would like to publish something in the forthcoming PiB Guide Nº51 NOV/DEC 2023? The printing deadline is Thursday, October 19th 2023.
Online
PiB Online Features (= comprising a Website Feature + eNewsletter Feature + Social Media Posts) are possible at any time. PiB’s weekly eNewsletter is usually sent out on Tuesdays – for inclusion please send us your materials until Thursday (6 pm) the week before.
☞ Additional infos can be found in PiB’s media kit. Please get in touch for the current advertising rates.
Du möchtest gerne etwas im kommenden PiB Guide Nº51 NOV/DEC 2023 veröffentlichen? Druckschluss ist Donnerstag, der 19. Oktober 2023.
Online
PiB Online-Features (= bestehend aus Website-Feature + eNewsletter-Feature + Social Media Posts) sind jederzeit möglich. PiBs wöchentlicher eNewsletter wird in der Regel dienstags versendet – für die Aufnahme darin senden Sie uns Ihr Material bitte bis spätestens Donnerstag (18 Uhr) der Vorwoche.
☞ Weitere Infos sind in PiBs Mediakit zu finden. Kontaktiere uns gerne bzgl. der aktuellen Anzeigenpreise.