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PiB Guide Nº50 SEP/OCT 2023

A6 format · 28 pages · English & German

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PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ Photo on bottom double-page spread (p. 15): René and Georgette Magritte with their dog, 1967, silver gelatin print, 40 × 40 cm © Lothar Wolleh Estate, Berlin. Solo show at Lothar Wolleh Raum, Berlin-Mitte. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

Solo Exhibition

»In the forest and on its edges«

Photographs in color and black and white

Martin Zellerhoff

In his exhibition entitled “In the forest and on its edges” Martin Zellerhoff presents his images of woodland and other landscapes. This show contains the result of the artist delving into the apparent discrepancy between a yearning for nature and the awareness that, if humanity continues to behave the way it presently does, only a romanticised notion thereof will remain.

Having a look around not only alters the way we see things; it also changes what we are gazing at itself. It becomes a surface on to which we project our ideas.
Martin Zellerhoff not only captures depictions of shrubs and trees that he encounters; he works with the colours, surfaces, compositions and is able to construct some semblance of meaning therein. His works are not mere depictions of nature,; they deal with how humans treat depictions of nature. This is then but one example of how a situation depends on how it is perceived.

Forests are a good example of the gap between perception and reality: people see them as unspoilt nature although they are largely man-made. Human beings shape forests, first taking care of and then clearing them. The forest is constantly in flux, producing new biomass material. Yet from our limited human perspective, woodlands are seen as where nature overcomes human encroachment. In and on the margins of a forest, this divergence is evident: Zellerhof’s images are not primarily studies of nature as much as a continuation of his examination into how human perception changes through the ways that people deal with imagery. From this perspective, these pictures are about pictures themselves.

Martin Zellerhoff’s work is both a critical examination of the medium of photography itself and on the impact that it has on perception. Through personal history and developments in the medium, the artist presents how changes that have occurred in how we deal with technical images have an effect on our perception of reality.

Framework program

Sunday, April 22, 12 noon
Concert by Katrin Dasch u. Peter Dasch

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March 17 — May 2 extended until May 9, 2018
Opening Reception: Friday, March 16, 7 pm
+ Framework program: please see above

Facebook Event

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Südstern 6, 10961 Berlin
[Kreuzberg | Friedrichshain-Kreuzberg]

Opening hours: Wed – Sat 12 – 6 pm, and by appointment

Admission free

Current photography exhibitions/events recommended in…
Berlin

C/O Berlin | »Mary Ellen Mark . Encounters«

Helmut Newton Foundation | Alice Springs »Retrospective«

Haus am Kleistpark Projektraum | Nora Bibel »Uncertain Homelands«

C/O Berlin | »Image Ecology«

KW Institute for Contemporary Art | Coco Fusco »Tomorrow, I Will Become an Island«

KW Institute for Contemporary Art | »SKIN IN THE GAME«

PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

PiB’s current print issue
PiB Guide Nº50
SEP/OCT 2023

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Discover great photography exhibitions/events in Berlin in PiB’s bi-monthly print issue, the PiB Guide. The PiB Guide Nº50 SEP/OCT 2023 has been published as a booklet, A6 format · 28 pages · English & German · worldwide shipping.

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You would like to publish something in the forthcoming PiB Guide Nº51 NOV/DEC 2023? The printing deadline is Thursday, October 19th 2023.

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Du möchtest gerne etwas im kommenden PiB Guide Nº51 NOV/DEC 2023 veröffentlichen? Druckschluss ist Donnerstag, der 19. Oktober 2023.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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