Solo Exhibition
»Vandalism«
John Divola
Between 1973 and 1975, the American photographer John Divola – then in his midtwenties and without a studio of his own – travelled across Los Angeles in search ofdilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significantphotographic projects entitled Vandalism. In this visceral, black and white series ofimages Divola vandalised vacant homes with abstract constellations of graffiti-likemarks, ritualistic configurations of string hooked to pins, and torn arrangements ofcard, before cataloguing the results. The project vigorously merged the documentary approach with staged interventions echoing performance, sculpture and installationart. Serving as a conceptual sabotaging of the delineations between suchdocumentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.
John Divola (American, b. 1949), one of the most distiguished visual artists of his generation, earned a BA from California State University, Northridge (1971) and anMA from University of California, Los Angeles (1973). His images challenge theboundaries between fiction and reality, as well as the limitations of art to describelife. Vandalism (1974-1975) is one of Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car inthe Desert (2004). His work is exhibited internationally and found in important public collections such as the Museum of Modern Art, NY, the Centre Pompidou, Paris, the Getty Museum in LA, the V&A in London or the Whitney Museum in New York.
Vandalism, the book accompanying the exhibition, was published by MACK Books, London in 2018.
Editor’s note: The exhibition is featured on the cover of the PiB Guide Nº26 SEP/OCT 2019, PiB’s bi-monthly print issue.
Sep 7 — Oct 19, 2019
Opening Reception: Friday, Sep 6, 7 – 9 pm
Linienstraße 107, 10115 Berlin
[District: Mitte | Borough: Mitte]
Opening hours: Tue – Sat 12 – 6 pm
Admission free
Previous exhibition
Shane Lavalette »Still (Noon)«
July 13 — Aug 31, 2019
Photography exhibitions/events in…
PiB Guide Nº59 MAR/APR 2025 © PiB ⸺ Photography in Berlin. COVER · TITELBILD: Simon Lehner, Balance study with boy, 2018. From the series »How far is a lightyear?«, 2005–2019. Pigment print, 90 × 72 cm. Courtesy KOW Berlin © Simon Lehner. Part of EMOP Berlin’s main festival exhibition »what stands between us« at Akademie der Künste am Hanseatenweg in Berlin-Hansaviertel, read more on page 4 & 5! +++ 6 photos on right double page spread (p. 5), top left to bottom right: 1) © Johanna-Maria Fritz: o.T., 2022, aus der Serie “Ein afghanischer Teppich”, 2022. 2) © Bérangère Fromont, aus der Serie “Except the Clouds”, 2018. 3) © Inga Ivanova: Family Kassi 1965, aus der Serie “TANOE: Echos der Wurzeln”, 1965 Abidjan, Côte d’Ivoire, Color Printing Process RA-4. 4) © Kamila K Stanley: Avellar, Archivalischer Tintenstrahldruck. 5) © Rosalind Lowry: Endangered Species List 481, 2023, Pigment-Print (Installationsansicht; Leinen, Farbe), 78 x 58 cm. 6) © Lisa Wassmann: Sebiana Venice, Florida, 2024, aus der Serie “Somewhere Else”, 2007-2024, Courtesy Lisa Wassmann. +++ PiB Guide Editors / V.i.S.d.P. / Art Direction: Julia Schiller & Oliver Schneider
Current print issue
PiB Guide Nº59
MAR/APR 2025
#pibguide
Discover great photography exhibitions in Berlin & beyond in PiB’s bi-monthly print issue, the PiB Guide! The current edition has been published as a booklet, A6 format · 52 pages · English & German · worldwide shipping.
Aktuelle Printausgabe
PiB Guide Nº59
MAR/APR 2025
#pibguide
Entdecke großartige Fotoausstellungen in Berlin & darüberhinaus in PiBs zweimonatlicher Printausgabe, dem PiB Guide! Die aktuelle Ausgabe ist erschienen als Booklet im DIN A6 Format · 52 Seiten · Deutsch & Englisch · weltweiter Versand.