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☞ PiB Guide Nº60 MAY/JUNE 2025

Solo Exhibition

»Vandalism«

John Divola

Between 1973 and 1975, the American photographer John Divola – then in his midtwenties and without a studio of his own – travelled across Los Angeles in search ofdilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significantphotographic projects entitled Vandalism. In this visceral, black and white series ofimages Divola vandalised vacant homes with abstract constellations of graffiti-likemarks, ritualistic configurations of string hooked to pins, and torn arrangements ofcard, before cataloguing the results. The project vigorously merged the documentary approach with staged interventions echoing performance, sculpture and installationart. Serving as a conceptual sabotaging of the delineations between suchdocumentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, Vandalism helped to establish Divola’s highly distinctive photographic language.

John Divola (American, b. 1949), one of the most distiguished visual artists of his generation, earned a BA from California State University, Northridge (1971) and anMA from University of California, Los Angeles (1973). His images challenge theboundaries between fiction and reality, as well as the limitations of art to describelife. Vandalism (1974-1975) is one of Divola’s earliest series, predating Zuma (1979), As Far as I Could Get (1997) and Dogs Chasing My Car inthe Desert (2004). His work is exhibited internationally and found in important public collections such as the Museum of Modern Art, NY, the Centre Pompidou, Paris, the Getty Museum in LA, the V&A in London or the Whitney Museum in New York.

Vandalism, the book accompanying the exhibition, was published by MACK Books, London in 2018.

Editor’s note: The exhibition is featured on the cover of the PiB Guide Nº26 SEP/OCT 2019, PiB’s bi-monthly print issue.

John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
John Divola, Vandalism Series, 1973-1975, 64 x 61,5 cm, Gelatin Silver Print © John Divola, Courtesy Robert Morat Galerie
ROBERT MORAT GALERIE

Sep 7 — Oct 19, 2019
Opening Reception: Friday, Sep 6, 7 – 9 pm

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Linienstraße 107, 10115 Berlin
[District: Mitte | Borough: Mitte]

Opening hours: Tue – Sat 12 – 6 pm

Admission free

Previous exhibition

Detail of/aus: Shane Lavalette, Untitled, 2016, from the series Still (Noon), 76,2 x 101,6 cm, Archival Pigment Print, Ed. of 3 + 2 APs © Shane Lavalette
Detail of/aus: Shane Lavalette, Untitled, 2016, from the series Still (Noon), 76,2 x 101,6 cm, Archival Pigment Print, Ed. of 3 + 2 APs © Shane Lavalette

Shane Lavalette »Still (Noon)«

July 13 — Aug 31, 2019

Ensuing exhibition

The PiB Guide, PiB's bi-monthly print issue | Also available as an annual subscription © PiB – Photography in Berlin. #pibguide
The PiB Guide, PiB's bi-monthly print issue | Also available as an annual subscription © PiB – Photography in Berlin. #pibguide

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Stay informed about forthcoming exhibitions at this venue (and/or others) with an annual subscription of PiB's bi-monthly print issue, the PiB Guide! Shipping is offered worldwide.

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PiB Guide Nº59 MAR/APR 2025 © PiB ⸺ Photography in Berlin. COVER PHOTO · TITELBILD PiB Guide Nº59: Simon Lehner, Balance study with boy, 2018. From the series »How far is a lightyear?«, 2005–2019. Pigment print, 90 × 72 cm. Courtesy KOW Berlin © Simon Lehner. Part of EMOP Berlin's main festival exhibition »what stands between us« at Akademie der Künste in Berlin-Hansaviertel, read more on page 4 & 5! +++ 6 photos on right double page spread (p. 5), top left to bottom right: 1) Johanna Maria Fritz: o.T., 2022, aus der Serie "Ein afghanischer Teppich", 2022. 2) Bérangère Fromont, aus der Serie "Except the Clouds", 2018. 3) Inga Ivanova: Family Kassi 1965, aus der Serie "TANOE: Echos der Wurzeln", 1965 Abidjan, Côte d'Ivoire, Color Printing Process RA-4 4 Kamila K Stanley: Avellar, Archivalischer Tintenstrahldruck. 5) Rosalind Lowry: Endangered Species List 481, 2023, Pigment-Print (Installationsansicht; Leinen, Farbe), 78 x 58 cm. 6) Lisa Wassmann: Sebiana Venice, Florida, 2024, aus der Serie "Somewhere Else", 2007-2024, Courtesy Lisa Wassmann.

PiB Guide Nº59 MAR/APR 2025 © PiB ⸺ Photography in Berlin. COVER · TITELBILD: Simon Lehner, Balance study with boy, 2018. From the series »How far is a lightyear?«, 2005–2019. Pigment print, 90 × 72 cm. Courtesy KOW Berlin © Simon Lehner. Part of EMOP Berlin’s main festival exhibition »what stands between us« at Akademie der Künste am Hanseatenweg in Berlin-Hansaviertel, read more on page 4 & 5! +++ 6 photos on right double page spread (p. 5), top left to bottom right: 1) © Johanna-Maria Fritz: o.T., 2022, aus der Serie “Ein afghanischer Teppich”, 2022. 2) © Bérangère Fromont, aus der Serie “Except the Clouds”, 2018. 3) © Inga Ivanova: Family Kassi 1965, aus der Serie “TANOE: Echos der Wurzeln”, 1965 Abidjan, Côte d’Ivoire, Color Printing Process RA-4. 4) © Kamila K Stanley: Avellar, Archivalischer Tintenstrahldruck. 5) © Rosalind Lowry: Endangered Species List 481, 2023, Pigment-Print (Installationsansicht; Leinen, Farbe), 78 x 58 cm. 6) © Lisa Wassmann: Sebiana Venice, Florida, 2024, aus der Serie “Somewhere Else”, 2007-2024, Courtesy Lisa Wassmann. +++ PiB Guide Editors / V.i.S.d.P. / Art Direction: Julia Schiller & Oliver Schneider

Current print issue
PiB Guide Nº59
MAR/APR 2025

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PiB Guide Nº59
MAR/APR 2025

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Entdecke großartige Fotoausstellungen in Berlin & darüberhinaus in PiBs zweimonatlicher Printausgabe, dem PiB Guide! Die aktuelle Ausgabe ist erschienen als Booklet im DIN A6 Format · 52 Seiten · Deutsch & Englisch · weltweiter Versand.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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