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Hot off the press • Druckfrisch erhältlich:
☞ PiB Guide Nº58 JAN/FEB 2025

PiB Guide Nº49 | July/Aug 2023

Cover-Feature:
f³ – freiraum für fotografie |  Chloe Sherman »RENEGADES | San Francisco: Queer Life in the 1990s«

PiB Guide Nº49 JULY/AUG 2023 © PiB (Photography in Berlin). COVER PHOTO: The Heist, 1996 © Chloe Sherman. Solo exhibition »RENEGADES | San Francisco: Queer Life in the 1990s« at f³ – freiraum für fotografie in Berlin-Mitte, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5): 1) In My Chevy Nova, Ace Driving, 1997. 2) The Heist, 1996. 3) Picnic near Mission Dolores, 1996. 4) Love/Hate, Rest in Power Christopher Lee, 1999. All four images: © Chloe Sherman. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!
PiB Guide Nº49 JULY/AUG 2023 © PiB (Photography in Berlin). COVER PHOTO: The Heist, 1996 © Chloe Sherman. Solo exhibition »RENEGADES | San Francisco: Queer Life in the 1990s« at f³ – freiraum für fotografie in Berlin-Mitte, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5): 1) In My Chevy Nova, Ace Driving, 1997. 2) The Heist, 1996. 3) Picnic near Mission Dolores, 1996. 4) Love/Hate, Rest in Power Christopher Lee, 1999. All four images: © Chloe Sherman. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

PiB Guide Nº49 JULY/AUG 2023 © PiB (Photography in Berlin). COVER PHOTO: The Heist, 1996 © Chloe Sherman. Solo exhibition Chloe Sherman »RENEGADES | San Francisco: Queer Life in the 1990s« at f³ – freiraum für fotografie in Berlin-Mitte, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5): 1) In My Chevy Nova, Ace Driving, 1997. 2) The Heist, 1996. 3) Picnic near Mission Dolores, 1996. 4) Love/Hate, Rest in Power Christopher Lee, 1999. All four images: © Chloe Sherman.

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