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PiB Guide Nº50 SEP/OCT 2023

A6 format · 28 pages · English & German

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PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ Photo on bottom double-page spread (p. 15): René and Georgette Magritte with their dog, 1967, silver gelatin print, 40 × 40 cm © Lothar Wolleh Estate, Berlin. Solo show at Lothar Wolleh Raum, Berlin-Mitte. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

Graduate exhibition #22

»Tomorrow is Everywhere (Part I)«

Tristan Barkowski, Melanie Bohn, Alexander Klang, Gunnar Krüger, Chiara Pavolucci, Tabea Przybilla, Martin Scholz

We needed change, but change needed years”
Ernst Jandl, “Two”, Dingfest, 1973

In “#22 Morgen ist überall” (Part 1) seven graduating students from Eva Bertram’s class at Neue Schule für Fotografie Berlin present their work. Transcending the genres they use, the students use photography as a personal means of expression to defend their own positions and spaces. Based on interests and experience, the photographers analyse their relationship with themselves and others, gaining insight into personal connections.

Photography is a form of self-defence”
Eva Bertram

In his work “Zwei. Eine Stunde”, Alexander Klang meets strangers in unknown places. In these improvised and unplanned meetings Klang searches for natural expressions, an intimate moment, an unexpected gesture, all in a reduced and graphic environment.

In the series “The Golden Age”, Gunnar Krüger interlaces the deceptive aspects of Las Vegas with the figure of Donald Trump. Documentary images and self-staging are testimony to a multiple seduction: that of the travellers, the observers, and the electorate.

Chiara Pavolucci tells two stories about her relationship with her mother in the staged photographic series “Dust | Rebirth”: one, of their relationship whilst her mother was alive and the other about their relationship after her mother passed away. By means of haunting staging and re-enactment, Pavolucci puts the allocation of roles, patterns, interdependencies and strokes of liberation between mother and daughter into pictures.

In “Was mach ich hier eigentlich?” Martin Scholz outlines a confused arrangement of personality, body, and place. In an anachronistic story told through still life and staged images, the individual and cold material play central roles forgoing any single message, leaving the viewer to extract their own conclusions from the past.

According to Melanie Bohn, “Zwei, ein Kampf” is a homage to her past, where each image is a piece of changeable identity, where self-staging, passion, physicality, motion studies and martial arts compete against gender specific classifications and dependencies.

In the work “Kleinod”, Tabea Przybilla concerns herself with the photographic depiction of her grandmother’s jewellery. In a figurative sense a jewel can be an inconspicuous object whose personal and sentimental value can only be recognised on second glance.

Tristan Barkowski photographs hip-hop artists and fans at concerts and behind the scenes. Both atmospheric and blunt, Barkowski’s images strip away the characteristic self-presentation of the music scene.

The graduate classes present their show in two parts.
»Tomorrow is Everywhere (Part II)«
Dec 2, 2017 — Jan 21, 2018. Opening Reception: Friday, Dec 1, 7 pm

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Part I: Oct 21 — Nov 26, 2017
Opening Reception: Friday, Oct 20, 7 pm
(Part II: Dec 2, 2017 — Jan 21, 2018. Opening Reception: Friday, Dec 1, 7 pm)

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Brunnenstraße 188-190, 10119 Berlin
[Mitte | Mitte]

Opening hours: Thu – Sun 1 – 6 pm

Admission free

Current photography exhibitions/events recommended in…
Berlin | Mitte

KW Institute for Contemporary Art | Coco Fusco »Tomorrow, I Will Become an Island«

KW Institute for Contemporary Art | »SKIN IN THE GAME«

f³ – freiraum für fotografie | Robert Lebeck »Hierzulande (In this Country)«

Alexander und Renata Camaro Stiftung | »Schatten aus Licht. Lothar Wolleh und Alexander Camaro«

CHAUSSEE 36 PHOTO FOUNDATION | »Bildfenster – Fensterbild«

Robert Morat Galerie | Roger Eberhard »Escapism«

PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

PiB’s current print issue
PiB Guide Nº50
SEP/OCT 2023

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Discover great photography exhibitions/events in Berlin in PiB’s bi-monthly print issue, the PiB Guide. The PiB Guide Nº50 SEP/OCT 2023 has been published as a booklet, A6 format · 28 pages · English & German · worldwide shipping.

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You would like to publish something in the forthcoming PiB Guide Nº51 NOV/DEC 2023? The printing deadline is Thursday, October 19th 2023.

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Du möchtest gerne etwas im kommenden PiB Guide Nº51 NOV/DEC 2023 veröffentlichen? Druckschluss ist Donnerstag, der 19. Oktober 2023.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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