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☞ PiB Guide Nº60 MAY/JUNE 2025

Graduate exhibition #22

»Tomorrow is Everywhere (Part I)«

Tristan Barkowski, Melanie Bohn, Alexander Klang, Gunnar Krüger, Chiara Pavolucci, Tabea Przybilla, Martin Scholz

We needed change, but change needed years”
Ernst Jandl, “Two”, Dingfest, 1973

In “#22 Morgen ist überall” (Part 1) seven graduating students from Eva Bertram’s class at Neue Schule für Fotografie Berlin present their work. Transcending the genres they use, the students use photography as a personal means of expression to defend their own positions and spaces. Based on interests and experience, the photographers analyse their relationship with themselves and others, gaining insight into personal connections.

Photography is a form of self-defence”
Eva Bertram

In his work “Zwei. Eine Stunde”, Alexander Klang meets strangers in unknown places. In these improvised and unplanned meetings Klang searches for natural expressions, an intimate moment, an unexpected gesture, all in a reduced and graphic environment.

In the series “The Golden Age”, Gunnar Krüger interlaces the deceptive aspects of Las Vegas with the figure of Donald Trump. Documentary images and self-staging are testimony to a multiple seduction: that of the travellers, the observers, and the electorate.

Chiara Pavolucci tells two stories about her relationship with her mother in the staged photographic series “Dust | Rebirth”: one, of their relationship whilst her mother was alive and the other about their relationship after her mother passed away. By means of haunting staging and re-enactment, Pavolucci puts the allocation of roles, patterns, interdependencies and strokes of liberation between mother and daughter into pictures.

In “Was mach ich hier eigentlich?” Martin Scholz outlines a confused arrangement of personality, body, and place. In an anachronistic story told through still life and staged images, the individual and cold material play central roles forgoing any single message, leaving the viewer to extract their own conclusions from the past.

According to Melanie Bohn, “Zwei, ein Kampf” is a homage to her past, where each image is a piece of changeable identity, where self-staging, passion, physicality, motion studies and martial arts compete against gender specific classifications and dependencies.

In the work “Kleinod”, Tabea Przybilla concerns herself with the photographic depiction of her grandmother’s jewellery. In a figurative sense a jewel can be an inconspicuous object whose personal and sentimental value can only be recognised on second glance.

Tristan Barkowski photographs hip-hop artists and fans at concerts and behind the scenes. Both atmospheric and blunt, Barkowski’s images strip away the characteristic self-presentation of the music scene.

The graduate classes present their show in two parts.
»Tomorrow is Everywhere (Part II)«
Dec 2, 2017 — Jan 21, 2018. Opening Reception: Friday, Dec 1, 7 pm

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Part I: Oct 21 — Nov 26, 2017
Opening Reception: Friday, Oct 20, 7 pm
(Part II: Dec 2, 2017 — Jan 21, 2018. Opening Reception: Friday, Dec 1, 7 pm)

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Brunnenstraße 188-190, 10119 Berlin
[Mitte | Mitte]

Opening hours: Thu – Sun 1 – 6 pm

Admission free

Current photography exhibitions/events recommended in…
Berlin | Mitte

Robert Morat Galerie | Christian Patterson »Gong Co.«

f³ – freiraum für fotografie | »Radical Beauty«

Akademie der Künste | Ute Mahler, Werner Mahler & Ludwig Schirmer »Ein Dorf 1950-2022«

CHAUSSEE 36 Photography | »Metamorphosis« Heinz Hajek-Halke’s Photomontages & New Image-Makers

Alfred Ehrhardt Stiftung | Kilian Breier »Abstrakt Konkret – Materie Licht und Form«

Friedrich-Ebert-Stiftung | »Do you have something to fight for?«

PiB Guide Nº59 MAR/APR 2025 © PiB ⸺ Photography in Berlin. COVER PHOTO · TITELBILD PiB Guide Nº59: Simon Lehner, Balance study with boy, 2018. From the series »How far is a lightyear?«, 2005–2019. Pigment print, 90 × 72 cm. Courtesy KOW Berlin © Simon Lehner. Part of EMOP Berlin's main festival exhibition »what stands between us« at Akademie der Künste in Berlin-Hansaviertel, read more on page 4 & 5! +++ 6 photos on right double page spread (p. 5), top left to bottom right: 1) Johanna Maria Fritz: o.T., 2022, aus der Serie "Ein afghanischer Teppich", 2022. 2) Bérangère Fromont, aus der Serie "Except the Clouds", 2018. 3) Inga Ivanova: Family Kassi 1965, aus der Serie "TANOE: Echos der Wurzeln", 1965 Abidjan, Côte d'Ivoire, Color Printing Process RA-4 4 Kamila K Stanley: Avellar, Archivalischer Tintenstrahldruck. 5) Rosalind Lowry: Endangered Species List 481, 2023, Pigment-Print (Installationsansicht; Leinen, Farbe), 78 x 58 cm. 6) Lisa Wassmann: Sebiana Venice, Florida, 2024, aus der Serie "Somewhere Else", 2007-2024, Courtesy Lisa Wassmann.

PiB Guide Nº59 MAR/APR 2025 © PiB ⸺ Photography in Berlin. COVER · TITELBILD: Simon Lehner, Balance study with boy, 2018. From the series »How far is a lightyear?«, 2005–2019. Pigment print, 90 × 72 cm. Courtesy KOW Berlin © Simon Lehner. Part of EMOP Berlin’s main festival exhibition »what stands between us« at Akademie der Künste am Hanseatenweg in Berlin-Hansaviertel, read more on page 4 & 5! +++ 6 photos on right double page spread (p. 5), top left to bottom right: 1) © Johanna-Maria Fritz: o.T., 2022, aus der Serie “Ein afghanischer Teppich”, 2022. 2) © Bérangère Fromont, aus der Serie “Except the Clouds”, 2018. 3) © Inga Ivanova: Family Kassi 1965, aus der Serie “TANOE: Echos der Wurzeln”, 1965 Abidjan, Côte d’Ivoire, Color Printing Process RA-4. 4) © Kamila K Stanley: Avellar, Archivalischer Tintenstrahldruck. 5) © Rosalind Lowry: Endangered Species List 481, 2023, Pigment-Print (Installationsansicht; Leinen, Farbe), 78 x 58 cm. 6) © Lisa Wassmann: Sebiana Venice, Florida, 2024, aus der Serie “Somewhere Else”, 2007-2024, Courtesy Lisa Wassmann. +++ PiB Guide Editors / V.i.S.d.P. / Art Direction: Julia Schiller & Oliver Schneider

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PiB Guide Nº59
MAR/APR 2025

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PiB Guide Nº59
MAR/APR 2025

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Entdecke großartige Fotoausstellungen in Berlin & darüberhinaus in PiBs zweimonatlicher Printausgabe, dem PiB Guide! Die aktuelle Ausgabe ist erschienen als Booklet im DIN A6 Format · 52 Seiten · Deutsch & Englisch · weltweiter Versand.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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