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Print deadline • Druckschluss PiB Guide Nº60 MAY/JUNE 2025
Sat, Apr 19

Lecture

»Photographers of the New Bauhaus«

Lecture by Keith F. Davis

This talk will provide an overview of the key practitioners, teaching philosophy, and lasting impact of the photography program of the Institute of Design, Chicago. Sometimes called the “New Bauhaus,” this program was begun in the late 1930s by the brilliant artist and educator Laszlo Moholy-Nagy. Only months before his death in 1946, Moholy-Nagy hired Harry Callahan to head the ID’s photography program. This talk focuses on the nature of this program, and its most important personalities, during the years of Callahan’s tenure.

Keith F. Davis is Senior Curator of Photography at The Nelson-Atkins Museum in Kansas City. He received a master’s degree in 1979 in art history from the University of New Mexico, Albuquerque. After a research internship at the International Museum of Photography at George Eastman House, Rochester, New York, 1978–79, he became Curator of the Fine Art Collections, Hallmark Cards, Inc. Upon the gift to the museum of the Hallmark Photographic Collection, in December 2005, Davis became the Nelson-Atkins’s founding curator of photography.

Since 1979, he has curated nearly 100 exhibitions, many of which have been toured to leading museums across the United States and overseas. In addition to teaching and lecturing widely on the history of photography, he is the author of thirty catalogues and books, including An American Century of Photography, From Dry-Plate to Digital: The Hallmark Photographic Collection, 2nd edition (1999); The Origins of American Photography, From Daguerreotype to Dry-Plate, 1839–1885 (2007); Timothy H. O’Sullivan: The King Survey Work (2011); The Photographs of Ray K. Metzker (2012); and Multitude, Solitude: The Photographs of Dave Heath (2015). His various awards include a Fellowship from the National Endowment for the Humanities (1986–87) for his work on the Civil-War-era photographer George N. Barnard. He was honored to be featured in James Stourton’s Great Collectors of Our Time: Art Collecting Since 1945 (Scala, 2007).

The talk will be held in English and followed by a Q&A session.

U.S. Embassy Berlin
U.S. Embassy Berlin

In collaboration with the U.S. Embassy Berlin on the occasion of the exhibition “New Bauhaus Chicago: Experiment Fotografie und Film” at bauhausarchiv Berlin

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Lecture: Thursday, Jan 25, 2018, 5:30 pm
The talk will be held in English
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Brunnenstraße 188-190, 10119 Berlin
[Mitte | Mitte]

Admission free

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PiB Guide Nº59 MAR/APR 2025 © PiB ⸺ Photography in Berlin. COVER PHOTO · TITELBILD PiB Guide Nº59: Simon Lehner, Balance study with boy, 2018. From the series »How far is a lightyear?«, 2005–2019. Pigment print, 90 × 72 cm. Courtesy KOW Berlin © Simon Lehner. Part of EMOP Berlin's main festival exhibition »what stands between us« at Akademie der Künste in Berlin-Hansaviertel, read more on page 4 & 5! +++ 6 photos on right double page spread (p. 5), top left to bottom right: 1) Johanna Maria Fritz: o.T., 2022, aus der Serie "Ein afghanischer Teppich", 2022. 2) Bérangère Fromont, aus der Serie "Except the Clouds", 2018. 3) Inga Ivanova: Family Kassi 1965, aus der Serie "TANOE: Echos der Wurzeln", 1965 Abidjan, Côte d'Ivoire, Color Printing Process RA-4 4 Kamila K Stanley: Avellar, Archivalischer Tintenstrahldruck. 5) Rosalind Lowry: Endangered Species List 481, 2023, Pigment-Print (Installationsansicht; Leinen, Farbe), 78 x 58 cm. 6) Lisa Wassmann: Sebiana Venice, Florida, 2024, aus der Serie "Somewhere Else", 2007-2024, Courtesy Lisa Wassmann.

PiB Guide Nº59 MAR/APR 2025 © PiB ⸺ Photography in Berlin. COVER · TITELBILD: Simon Lehner, Balance study with boy, 2018. From the series »How far is a lightyear?«, 2005–2019. Pigment print, 90 × 72 cm. Courtesy KOW Berlin © Simon Lehner. Part of EMOP Berlin’s main festival exhibition »what stands between us« at Akademie der Künste am Hanseatenweg in Berlin-Hansaviertel, read more on page 4 & 5! +++ 6 photos on right double page spread (p. 5), top left to bottom right: 1) © Johanna-Maria Fritz: o.T., 2022, aus der Serie “Ein afghanischer Teppich”, 2022. 2) © Bérangère Fromont, aus der Serie “Except the Clouds”, 2018. 3) © Inga Ivanova: Family Kassi 1965, aus der Serie “TANOE: Echos der Wurzeln”, 1965 Abidjan, Côte d’Ivoire, Color Printing Process RA-4. 4) © Kamila K Stanley: Avellar, Archivalischer Tintenstrahldruck. 5) © Rosalind Lowry: Endangered Species List 481, 2023, Pigment-Print (Installationsansicht; Leinen, Farbe), 78 x 58 cm. 6) © Lisa Wassmann: Sebiana Venice, Florida, 2024, aus der Serie “Somewhere Else”, 2007-2024, Courtesy Lisa Wassmann. +++ PiB Guide Editors / V.i.S.d.P. / Art Direction: Julia Schiller & Oliver Schneider

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Entdecke großartige Fotoausstellungen in Berlin & darüberhinaus in PiBs zweimonatlicher Printausgabe, dem PiB Guide! Die aktuelle Ausgabe ist erschienen als Booklet im DIN A6 Format · 52 Seiten · Deutsch & Englisch · weltweiter Versand.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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