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PiB Guide Nº50 SEP/OCT 2023

A6 format · 28 pages · English & German

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PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ Photo on bottom double-page spread (p. 15): René and Georgette Magritte with their dog, 1967, silver gelatin print, 40 × 40 cm © Lothar Wolleh Estate, Berlin. Solo show at Lothar Wolleh Raum, Berlin-Mitte. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

Group Exhibition

»Metamorphosen (metamorphoses)«

Silke Helmerdig, Stefanos Pavlakis, Jens Schünemann, Sabine Wild

The term metamorphosis describes the transformation of a form of existence into a new, possibly different form. Applied to photography, it can refer to changes in images through analogue and digital processes of recording and reproduction.

Part 1 (analogue): Silke Helmerdig and Jens Schünemann
Silke Helmerdig and Jens Schünemann show an automatic-performative projection of two series of analog slides onto both sides of a semi-transparent screen that is floating freely in space. The rhythm of the series is predetermined, but the time disrupts the sequence of the projection: the projection rhythms are not the same, the series never run synchronously. In this way, new, never-repeating composites emerge from two rows of images – a series of metamorphoses that continues over and over again, itself subject to perpetual metamorphosis.

© Silke Helmerdig & Jens Schünemann
© Silke Helmerdig & Jens Schünemann
© Silke Helmerdig & Jens Schünemann
© Silke Helmerdig & Jens Schünemann

Part II (digital): Stefanos Pavlakis and Sabine Wild
Stefanos Pavlakis and Sabine Wild present photographs of the “Horseshoe Bend” rock massif in Glen Canyon, Arizona, which they appropriated from online photographic archives. The scenic motif “Horseshoe Bend” was photographed in a very similar way by different visitors and posted online more than 670,000 times (as of February 2022). For what reason? Pavlakis and Wild are concerned with the intersection between individuality and popular imagery, the search for sublimity in the context of an iconic landscape that has been photographed millions of times.

© Stefanos Pavlakis & Sabine Wild
© Stefanos Pavlakis & Sabine Wild
© Stefanos Pavlakis & Sabine Wild
© Stefanos Pavlakis & Sabine Wild

Background

While photographs themselves are not virtual objects, but always part of the “presents that pass away in the real” (Deleuze), the objects photographed appear as they were in a past present: related but different from theirs present present. So while the printed photo remains tangible as an object, the photographic representation – the image – presents “a past that differs from any present”. This is where the virtuality of a photograph comes into play: taken at a specific moment in time and space, the image only manifests itself after the photographed event and reappears in future moments as its re-presentation.

KUNSTWILD – Projektraum für Fotografie

Sep 4 — Oct 1, 2022
Opening Reception: Saturday, Sep 3, 7 – 9 pm
Finissage: Saturday, Oct 1, 7 – 9 pm

Eschenstraße 4 · 12161 Berlin
[District: Friedenau | Borough: Tempelhof-Schöneberg]

Opening hours: Fri 6 – 9 pm, Sat & Sun 3 – 6 pm

Admission free

Current photography exhibitions/events recommended in…
Berlin

C/O Berlin | »Mary Ellen Mark . Encounters«

Helmut Newton Foundation | Alice Springs »Retrospective«

Haus am Kleistpark Projektraum | Nora Bibel »Uncertain Homelands«

C/O Berlin | »Image Ecology«

KW Institute for Contemporary Art | Coco Fusco »Tomorrow, I Will Become an Island«

KW Institute for Contemporary Art | »SKIN IN THE GAME«

PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

PiB’s current print issue
PiB Guide Nº50
SEP/OCT 2023

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Discover great photography exhibitions/events in Berlin in PiB’s bi-monthly print issue, the PiB Guide. The PiB Guide Nº50 SEP/OCT 2023 has been published as a booklet, A6 format · 28 pages · English & German · worldwide shipping.

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Editorial deadlines · Redaktionsschlüsse

Print

You would like to publish something in the forthcoming PiB Guide Nº51 NOV/DEC 2023? The printing deadline is Thursday, October 19th 2023.

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PiB Online Features (= comprising a Website Feature + eNewsletter Feature + Social Media Posts) are possible at any time. PiB’s weekly eNewsletter is usually sent out on Tuesdays – for inclusion please send us your materials until Thursday (6 pm) the week before.

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Du möchtest gerne etwas im kommenden PiB Guide Nº51 NOV/DEC 2023 veröffentlichen? Druckschluss ist Donnerstag, der 19. Oktober 2023.

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PiB Online-Features (= bestehend aus Website-Feature + eNewsletter-Feature + Social Media Posts) sind jederzeit möglich. PiBs wöchentlicher eNewsletter wird in der Regel dienstags versendet – für die Aufnahme darin senden Sie uns Ihr Material bitte bis spätestens Donnerstag (18 Uhr) der Vorwoche.

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#pibnewsletter – the weekly, digital E-Newsletter by PiB Photography in Berlin
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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