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Solo Exhibition

»Object I«

Berlin-Hohenschönhausen detention centre and prison hospital

Ruth Stoltenberg

Ruth Stoltenberg’s photographs depict the former Stasi prison in Berlin-Hohenschönhausen and its accompanying prison hospital from a personal perspective. These two places of terror and violence, along with her intense conversations with formerly incarcerated witnesses, moved the photographer so profoundly that a deeply sensitive photographic project was able to develop as a result. In her images, Stoltenberg allows the spaces and objects themselves to speak about the horror that took place there.

Ruth Stoltenberg received her photographic training at the Neue Schule für Fotografie in Berlin as well as at the Lichtblick School in Cologne, after previously working as a television editor. The artist’s work primarily focuses on, and sees her intensively engaging with, places that have been shaped, abandoned or left in a state of upheaval by history.

Additional solo show by Ruth Stoltenberg at GALERIE im TEMPELHOF MUSEUM:
Ruth Stoltenberg »Schengen«
Jan 24 — Mar 17, 2019

Additional solo show at HAUS am KLEISTPARK:
Peter Bialobrzeski | »Die zweite Heimat (The Second Home)«
Jan 11 — Mar 31, 2019 | Opening Reception: Thursday, Jan 10, 7 pm

Ruth Stoltenberg, Objekt I-5, 2015 © Ruth Stoltenberg
Ruth Stoltenberg, Objekt I-3, 2015 © Ruth Stoltenberg
Ruth Stoltenberg, Objekt I-6, 2015 © Ruth Stoltenberg
Ruth Stoltenberg, Objekt I-1, 2015 © Ruth Stoltenberg
Ruth Stoltenberg, Objekt I-8, 2015 © Ruth Stoltenberg
Ruth Stoltenberg, Objekt I-2, 2015 © Ruth Stoltenberg
Ruth Stoltenberg, Objekt I-7, 2015 © Ruth Stoltenberg
Ruth Stoltenberg, Objekt I-10, 2015 © Ruth Stoltenberg
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Jan 17 — Mar 24, 2019
Opening Reception: Thursday, Jan 17, 7 pm,
Introduction: Franziska Schmidt

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Grunewaldstraße 6 – 7, 10823 Berlin
[Schöneberg | Tempelhof-Schöneberg]

Opening hours: Tue – Sun 11 am – 6 pm

Admission free

Current photography exhibitions/events recommended in…
Berlin

Haus am Kleistpark | André Kirchner, Nelly Rau-Häring, Peter Thieme »Berlin eins: Die 90er Jahre«

Berlinische Galerie | Marta Astfalck-Vietz »Inszeniertes Selbst«

Berlin School of Photography | »Professional Photography Masterclass«

Nachbarschaftszentrum ufaFabrik | Klaus Heymach »Wunschkind«

Ostkreuzschule für Fotografie c/o Rosa-Luxemburg-Stiftung | »heimweh«

FAP Showroom | Jochen Rohner »1:100«

PiB Guide Nº61 JULY/AUG 2025 © PiB ⸺ Photography in Berlin. COVER PHOTO: Plein Soleil 24, 2023, Pigment print © Jessica Backhaus. Solo show »Plein Soleil« at Robert Morat Galerie in Berlin-Mitte, read more on page 4!

PiB Guide Nº61 JULY/AUG 2025 © PiB ⸺ Photography in Berlin. COVER PHOTO: Plein Soleil 24, 2023, Pigment print © Jessica Backhaus. Solo show »Plein Soleil« at Robert Morat Galerie in Berlin-Mitte, read more on page 4! +++ PiB Guide Editors / V.i.S.d.P. / Art Direction: Julia Schiller & Oliver Schneider

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JULY/AUG 2025

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PiB Guide Nº61
JULY/AUG 2025

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Entdecke großartige Fotoausstellungen in Berlin & darüberhinaus in PiBs zweimonatlicher Printausgabe, dem PiB Guide! Die aktuelle Ausgabe ist erschienen als Booklet im DIN A6 Format · 32 Seiten · Deutsch & Englisch · weltweiter Versand.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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