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Solo Exhibition

»Expanded Photography 2002 – 2018«

Aitor Ortiz

In the exhibition Expanded Photography 2002–2018, Galerie Springer Berlin is showing three different work cycles by the Basque artist Aitor Ortiz in which traditional photographic boundaries are surpassed in surprising and fascinating ways.

The highlight of the exhibition is the presentation of works from the related series Vicinay and Link (2018). Vicinay is a chain factory in the former industrial area of Zorrotzaurre in Bilbao. The manufacturing plant, which produced a total of 10,000km of ship-mooring chains over a 60-year period, was moved to a new location as a result of urban-development measures and gentrification. Ortiz, who grew up in the vicinity of the industrial site and has been based there via his studio for many years, had parts of the steel floor panels in the former manufacturing plant removed piece-by-piece, involving extensive effort.

These heavy steel plates are characterised by distortions, folds and scars resulting from decades of pulling kilometres of extremely heavy, hot chains. The steel plates from Vicinay, which are being shown in the exhibition in the original (100 x 100cm), are therefore prints or impressions in the wider sense of the words.

The related series Link is the photographic treatment of Vicinay. With great clarity and striking sharpness, the works give expression to the work processes that formed or deformed the steel plates over decades, and to the cracks and ‘injuries’ caused to them as a result.

In the series Espacio Latente (2008/2018) and Modular Mod (2002), Ortiz works with space and architecture as source elements in order to puzzle us both visually and cognitively. His works, which he presents only in back and white, go way beyond a documentary form of architectural photography and emphasise the dissolution and conversion of the real that is concomitant with the photographic representation. Ortiz has an unending interest in highlighting a series of contradictions between representation and interpretation (perception).

About Aitor Ortiz
Born in Bilbao in 1971, the artist is one of the best-known Spanish photographers. He has already exhibited in numerous major museums in Europe, Asia and America, in both group and solo exhibitions. His major solo exhibitions include Museo Universidad de Navarra (2018); Fotografiska Stockholm (2012); Sala Canal de Isabel II, Madrid (2012); and Museo Guggenheim, Bilbao (2011). The 2011 book published by Hatje Cantz is an important monograph on his work, which has been celebrated by critics and honoured with numerous awards. His works are featured in many different collections, including Museo Nacional Centro de Arte Reina Sofía, Madrid; Museo Guggenheim Bilbao; Fundación La Caixa; AXA, Belgium; IVAM – Instituto Valenciano de Arte Moderno; the Norman Foster Collection and many others.

Aitor Ortiz, Link 017, 2018, archival pigment print on Hahnemühle paper, 68 x 45 cm, signed, 3/3 © Aitor Ortiz
Aitor Ortiz, Link 013, 2018, archival pigment print on Hahnemühle paper, 68 x 45 cm, signed, 3/3 © Aitor Ortiz
Aitor Ortiz, Vicinay 004, 2018, Steel Plate, 125 x 125 x 15 cm © Aitor Ortiz
Aitor Ortiz, Modular Rec 040, 2002, archival pigment print on Aludibond Diasec framed, 100 x 100 x 5 cm, signed, 3/5 © Aitor Ortiz
Aitor Ortiz, Modular Mod 028, 2002, archival pigment print on Aludibond Diasec, 190 x 120 cm, signed, 3/5 © Aitor Ortiz
Aitor Ortiz, Modular Mod 026, 2002, archival pigment print on Aludibond Diasec, 190 x 120 cm, signed, 3/5 © Aitor Ortiz
Aitor Ortiz, Espacio Latente 012, 2018, archival pigment print on Hahnemühle paper, 70 x 70 x 4 cm, signed, 7/7 © Aitor Ortiz
Aitor Ortiz, Espacio Latente 018, 2018, archival pigment print on Hahnemühle paper, 70 x 70 x 4 cm, signed, 7/7 © Aitor Ortiz
Aitor Ortiz, Espacio Latente 008, 2018, archival pigment print on Hahnemühle paper, 70 x 70 x 4 cm, signed, 7/7 © Aitor Ortiz

Framework program

Saturday, Dec 7, 2019, 1 – 5 pm
Project presentation
Galerie Springer Berlin is presenting within the current exhibition Aitor Ortiz’ Gaudí project on December 7, 2019, from 1 – 5 pm, and invites you to come and discover a selection of works from this comprehensive 120-photo series in an atmospheric ambience.
Ortiz’ project, which can currently be seen in full in a museum exhibition in San Sebastian, takes us on a fresh exploration of his interpretation of Antoni Gaudí’s unique architectural masterpieces. We have a limited number of copies of the exhibition book GAUDÍ, IMPRESIONES INTIMAS, in stock.
The works can be seen until February 1, 2020 in the exhibition AITOR ORTIZ – EXPANDED PHOTOGRAPHY at Galerie Springer Berlin.

Saturday, Feb 1, 2020
Finissage from 1 – 5 pm / Concert at 3 pm
Inspired by Aitor Ortiz’s series Vicinay and Link, which were created in the Vicinay ship-chain factory in Bilbao, the Spanish multi-media artist and composer Gorka Alda produced a corresponding piece. The composition could most recently be heard at the Aitor Ortiz exhibition at the Museo Universidad de Navarra in Pamplona, 2019. The musicians Christiane Gerhardt, Jakob Gerhardt and Tilman Muthesius will be improvising on top of the sounds of this composition.
Jakob Gerhardt, trumpet
Christiane Gerhardt, viola da gamba
Tilman Muthesius, viola da gamba
Galerie Springer Berlin cordially invites you to this special musical event, which is taking place as part of the finissage.

GALERIE SPRINGER BERLIN

Sep 28, 2019 — Jan 11 extended until Feb 1, 2020
Opening Reception: Friday, Sep 27, 2019, 7 – 9 pm
+ Framework program: please see above

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Fasanenstraße 13, 10623 Berlin
[District: Charlottenburg | Borough: Charlottenburg-Wilmersdorf]

Opening hours: Tue – Fri 12 – 6 pm, Sat 12 – 3 pm.
Winter break: Dec 24, 2019 — Jan 6, 2020

Admission free

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PiB Guide Nº45 NOV/DEC 2022 © PiB (Photography in Berlin). COVER PHOTO: CM 13726, 2017, C-print, 170 × 226.7 cm, Edition L, 1 of 2 + 1AP © Michael Lange. Solo exhibition »Cold Mountain« at ROBERT MORAT GALERIE, read more on page 4 & 5!! +++ Photos on right double spread (pp. 4 & 5 in the PiB Guide Nº45), from top to bottom: 1) CM 16792, 2017, 100 × 133.3 cm, Edition L, 1 of 4 + 2AP. 2) CM 14992, 2017, 71.2 × 95 cm, Edition M, 1 of 5 + 2AP. 3) CM D1/1-18395, 2017, 2 × 100 × 133.3 cm / Diptych, Edition XL, 1 of 2 + 1AP. All 3 images: © Michael Lange, courtesy of ROBERT MORAT GALERIE, Berlin. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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