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PiB Guide Nº50 SEP/OCT 2023

A6 format · 28 pages · English & German

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PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ Photo on bottom double-page spread (p. 15): René and Georgette Magritte with their dog, 1967, silver gelatin print, 40 × 40 cm © Lothar Wolleh Estate, Berlin. Solo show at Lothar Wolleh Raum, Berlin-Mitte. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

Group Exhibition

»Perfect/Imperfect«

Jo Longhurst / Penelope Umbrico / Mariken Wessels

Curated by David Evans

Galerie Andreas Schmidt presents a new exhibition of works by 3 artists who engage with notions of perfection and imperfection in photography.

London-based Jo Longhurst is primarily known for her projects around prize whippets and gymnasts, and the theme of perfection is complemented by a preoccupation with very high production values. The gallery presents a section of her famous series Twelve dogs, twelve bitches (2003). In addition it displays prints Untitled (Disgrace I-II) , Untitled (Mangueira I-IX), Untitled (Mangueira diptych) (all 2016) from her more recent engagement with a gymnastics squad located in a favela of Rio di Janeiro. The latter also represents a stylistic switch with Longhurst evoking bodies in flux by interacting with the gymnasts using a cheap scanning wand. Appropriately, she envisages more informal modes of presentation for a series marked by improvisation and unpredictability.

Penelope Umbrico lives and works in New York. Unlike Longhurst, she tends to deal with online photographic detritus, most famously sunsets cropped from amateur photographs found on Flickr. For this show, she uploaded 1000 files that were downloaded by Andreas Schmidt in Berlin and then delivered to a local Media Markt to be made into postcard size prints. They were then installed as a wall-sized grid used double-sized tape. Suns from Sunsets from Flickr has been adapted to different locations around the world since 2006. The gallery is also displaying Umbrico’s new folio Range (2014) in which she uses a range of smartphone camera apps to re-mix canonical photographs of mountains published by Aperture over the last half-century or so.

Mariken Wessels operates from Amsterdam. She makes and exhibits prints, but is primarily know for her innovative photo-books. The gallery shows two well-known examples: Queen Ann. P.S. Belly cut off (2010) and Taking off. Henry My Neighbor (2015). Both books are based on amateur photographs, found and edited by Wessels to generate open-ended, complex narratives. They are underpinned by the assumption that crude distinctions between the amateur (motivated by love) and the professional (working with some notion of perfection) should be continuously challenged.

The starting point for this exhibition was a recent request from Robert Shore, editor of Elephant Magazine, for writings on perfection for the print and online versions of the publication, to be published in the next few months. It is pleasing, therefore, that the gallery hosts the Berlin-launch of Shore’s new book Beg, Steal and Borrow: Artists against Originality (London: Laurence King, 2017).

David Evans

David Evans is a writer based in Berlin. Recent books include Appropriation (2009), Critical Dictionary (2011) and The Art of Walking (2013). in 2016 he co-curated a show at the gallery with Andreas Schmidt called Adult Material. He is currently working on a survey of photo-appropriation that takes on board the recent digital turn.

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Sep 15 — Oct 21, 2017

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Florastraße 61, 13187 Berlin
[Pankow | Pankow]

Opening hours: Wed – Sat 11 am – 7 pm, and by appointment

Admission free

Current photography exhibitions/events recommended in…
Berlin

Ostkreuzschule für Fotografie | »Jahrgang S1EB7EHN (17)«

Alexander und Renata Camaro Stiftung | »Schatten aus Licht. Lothar Wolleh und Alexander Camaro«

Helmut Newton Foundation | »Alice Springs. Retrospective«

C/O Berlin | »Mary Ellen Mark . Encounters«

KW Institute for Contemporary Art | »SKIN IN THE GAME«

Alfred Ehrhardt Stiftung | »foto fritz schleifer: küstenland«

PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

PiB’s current print issue
PiB Guide Nº50
SEP/OCT 2023

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Discover great photography exhibitions/events in Berlin in PiB’s bi-monthly print issue, the PiB Guide. The PiB Guide Nº50 SEP/OCT 2023 has been published as a booklet, A6 format · 28 pages · English & German · worldwide shipping.

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Du möchtest gerne etwas im kommenden PiB Guide Nº51 NOV/DEC 2023 veröffentlichen? Druckschluss ist Donnerstag, der 19. Oktober 2023.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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