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Print deadline • Druckschluss PiB Guide Nº54 May/June 2024
⤷ Saturday, April 20

Solo Exhibition

»4K ULTRA HD«

Inka & Niclas

The solo exhibition 4K ULTRA HD of the Swedish artist duo Inka and Niclas deals with our consumption of landscapes through (camera-)lenses and screens. Our image of the landscape is formed by photography and nature is constructed by the stream of images on our screens. The photographic works and installations of the exhibition focus on the “4K ULTRA HD” image search by the same name. 4K HD or 4K ULTRA are terms used in the display industry to illustrate that their screens have a significantly higher level of detail accuracy and sharpness.

Search algorithms list the most popular images in descending order and define which images we like to surround ourselves with, which images we download and save as desktop background on our computers. They are pictures that somehow radiate a kind of security or safety or convince through their beauty. When searching the web for “sunsets”, most images contain the sea, a palm tree or a dolphin in addition to a sun. We know exactly what a northern light looks like without having experienced it.

The sun has fixed its position in the sky, bound to a stick, it remains in its most popular position. The sunset extends over the palm leaf, a sparkling mist from the NASA archive silently floats at the edge of the beach. BLOBS (unformed drops of water) in space or rocks that have been polished over time float in the photographs and camouflage themselves in front of the viewer. The family that isn’t in the photo left again, updated their profile and posted again. A reality that can only be experienced through a photo, everything happens in a snapshot.

“Ultimately, [Inka and Niclas’] work revolves around these sought-after landscape motifs. They regard the almost automated influx of them to our screens as a contemporary ritual and try to approach the complex mechanisms that give a sacred character to panoramas. In the exhibited works the idealization of nature has gone into spin and the landscape has become fluorescent. Remains of an idealized nature aesthetics have abandoned the twodimensionality of the photograph and reached matter again.” (Therese Kellner)

Inka (*1985, Finland) and Niclas (*1984, Sweden) Lindergård are an awarded artist duo based in Stockholm. Since 2007, Inka and Niclas have been exploring how the constant stream of landscape images, the act of photography and the intersections between photographic- and physical realities, influence us. In 2012, they published their first book Watching Humans Watching (Kehrer Verlag), which was later awarded the Swedish Photo Book Prize. Their latest book The Belt of Venus and the Shadow of the Earth (Kerber Verlag) won the Swedish Book Art award 2016. Inka and Niclas’ works can be found in numerous private collections worldwide as well as in the permanent collections of the Gothenburg Art Museum (Sweden), the Fries Museum (Netherlands) and the Public Art Agency (Sweden).
www.inkaandniclas.com

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April 27 — June 23, 2018
Opening Reception: Thursday, April 26, 6 – 9 pm

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Potsdamer Straße 65, 10785 Berlin
[Tiergarten | Mitte]

Opening hours: Wed – Sat 12 – 6 pm
Extended opening hours for the Gallery Weekend Berlin 2018 (April 27–29):
Fri – Sun 11 am – 7 pm

Admission free

Current photography exhibitions/events recommended in…
Berlin | Mitte

f³ – freiraum für fotografie | F.C. Gundlach Foundation »A DAY OFF«

BBA Gallery | Vincent van Gaalen »Shades of the Night«

Alfred Ehrhardt Stiftung | Alfred Ehrhardt & Rolf Tietgens »Hamburger Hafen und Norddeutsche Küste«

Robert Morat Galerie | Hannah Hughes »Solid Slip«

Berlin School of Photography | »Professional Photography Masterclass«

Lothar Wolleh Raum | Jan Schoonhoven & Lothar Wolleh »A Gaze upon Delft«

PiB Guide Nº53 MAR/APR 2024 © PiB (Photography in Berlin). COVER PHOTO: Wände, Mauern, Zäune und andere Begrenzungen, 1985-89 © Situation Kunst / Dietmar Riemann. Solo show »Innere Angelegenheiten« by Freundeskreis Willy-Brandt-Haus in Berlin-Kreuzberg, read more on page 4 & 5! +++ +++ 4 photos on right double page spread (p. 5, Top to Bottom/Left to Right): 1) Wände, Mauern, Zäune und andere Begrenzungen, 1985–89. 2) Renntage – Menschen auf der Trabrennbahn, (Ost-)Berlin-Karlshorst, 1975–76/1979. 3) Schaufenster, 1986–89. 4) Warten – Fotografien aus dem Pflegeheim St. Elisabeth-Stift Berlin, 1984–85. All images: © Situation Kunst / Dietmar Riemann. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller · ele studio berlin. Printed by altmann-druck in Berlin-Köpenick, many thanks!

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MAR/APR2024

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MAR/APR 2024

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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