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Solo Exhibition

»Extension«

Sophie Thun

Update #2, May 2020: C/O Berlin will reopen the exhibitions and the C/O Berlin Bookshop on May 21, initially from Thu – Sun, 11 am – 8 pm! All 3 current exhibitions – Linda McCartney »The Polaroid Diaries«, Francesca Woodman »On Being an Angel and Sophie Thun »Extension« – have been extended to September 5, 2020. Tickets will be issued for a specific time slot to regulate the number of visitors.
Further details

Update #1, March 2020: This venue is currently closed due to Covid-19. In the meantime, please enjoy exploring the works in digital form here on PiB. News by this venue are also available in PiB’s article #ClosedButOpen.

About the exhibition:

C/O Berlin will be presenting the exhibition Sophie Thun »Extension« from 07 March 2020 to 06 June Sep 5, 2020. The opening will take place on Friday, 06 March 2020, at 07:00 p.m. at C/O Berlin in the Amerika Haus at Hardenbergstraße 22–24, 10623 Berlin-Charlottenburg.

Gazing steadily into the camera, the artist holds up for view a photograph of herself in which she is depicted multiple times – in both positive and negative form – grasping a cable shutter release in her hand. In photographs and life-sized photograms printed on long photo paper banners that hang from the ceiling, Sophie Thun uses her body as a tool to examine and question established concepts of society, sex, and gender. The illusionary space of the picture seems to merge with the real space of the viewer, challenging accustomed ways of seeing.

There is a long tradition of female self-representation in European art history. Over centuries, women artists have explored their (assigned) roles, depicted themselves and the tools of their craft, and used the technique of mise-en-abyme, the image within an image. Sophie Thun’s work is part of this tradition, and her photographs contain references that go as far back as the sixteenth century. At the same time, her work addresses the precarious working conditions of young women artists in Western society today. In the series After Hours, Thun depicts herself naked in anonymous hotel rooms and points the camera at the viewer, evoking the idea of the hotel as a place of erotic fantasies. Yet contrary to what the venue suggests, she did not shoot these photos on vacation but on work trips. Like many young artists, Sophie Thun earns her living working as an assistant to successful, and mostly male, colleagues. She creates her own work at night, at locations determined by an employer, using the tools available to her there: her own body, the cable release, the camera.

Sophie Thun, While holding (passage closed) (Y110,8M17,4D+59F8m18,142CA3T69,2b100l240), 2018, Fotografie: Maximilian Anelli-Monti © Sophie Thun, courtesy the artist and Sophie Tappeiner
Sophie Thun, Ufer, 17-27.02.2019, CW, 2019, Fotografie: Kunst-Dokumentation.com © Sophie Thun, courtesy the artist and Sophie Tappeiner
Sophie Thun, Contact (Extension 8 x 10), 2018, Fotografie: Kunst-Dokumentation.com © Sophie Thun, courtesy the artist and Sophie Tappeiner
Sophie Thun, Ufer, 17-27.02.2019, CW, 2019, Fotografie: Kunst-Dokumentation.com © Sophie Thun, courtesy the artist and Sophie Tappeiner

Sophie Thun spends much of her time as an artist in the darkroom, where she produces photographic images by pressing her body against the light-sensitive paper. In this way, she creates shadows, impressions, and traces that she uses in constructing new images and transforms into complex arrangements in space. The medium of painting, Thun’s original artistic medium, is always visible and palpable in the ways that she manipulates and intervenes into her photographic works.

C/O Berlin is presenting the first institutional solo exhibition of Sophie Thun’s work. The exhibition brings together a selection of recent works that deal with themes of gender but also revolve around photographic representation and analog photographic techniques.

Sophie Thun (b. 1985) lives and works in Vienna. She studied with Daniel Richter and Martin Gutmann at the Academy of Fine Arts in Vienna in 2017. Her work has been shown in solo and group exhibitions at the Folkwang University of the Arts, Essen; at Camera Austria, Graz; at the Bank Austria Kunstforum, Vienna; and at the Sophie Tappeiner Gallery, Vienna. Her photographs are in the collections of the Smart Museum, Chicago, and the Verbund Collection, Vienna.

Framework program

Guided Tours
Saturdays + Sundays + holidays 2 & 4 pm (German), 6 pm (English).
5 € plus admission fee. Duration ca. 60 min.
Individual guided tours (English and other languages) and guided tours for classes can be booked as well.
Details

Thursdays, March 19 + April 16, 2020, 7 pm & 7.30 pm
After Work Tour + Drink
Held in German. 17 € incl. exhibition, tour & drink.
End of the week at C/O Berlin: Get your weekend off to a relaxing start with an evening tour through our current shows and a cold drink! We will be keeping our exhibitions open into the early evening exclusively for you.

Saturday, March 7, 2020, 6 pm
Artist Talk with Sophie Thun and Kathrin Schönegg.
Held in German. Ticket 10/6 Euro.
Details following shortly.

Further framework events will be added here as they arise. PiB’s weekly E-Newsletter will also keep you informed about each week’s accompanying events – free signup here.

Simultaneous exhibitions at C/O Berlin:
Linda McCartney »The Polaroid Diaries«
Francesca Woodman »On Being an Angel«
All 3 exhibitions are on view from 07 March 2020 to 06 June 2020.

C/O Berlin Foundation

Mar 7 — June 6 extended until Sep 5, 2020
Opening Reception: Friday, March 6, 7 pm
Framework program: please see above

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Amerika Haus, Hardenbergstraße 22-24, 10623 Berlin
[District: Charlottenburg | Borough: Charlottenburg-Wilmersdorf]

Opening hours: Thu – Sun 11 am – 8 pm

Admission: 10 € / reduced 6 € | Online Ticket

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PiB Guide Nº47 MAR/APR 2023 © Photography in Berlin (PiB)

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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