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Solo Exhibition

»Migration as Avant-Garde«

Michael Danner

Curated by Dr. Kathrin Schönegg

Currently closed, and extended until Mar 14, 2021 / Vorübergehend geschlossen, und verlängert bis 14. März 2021
Videos: C/O Berlin Asks . Michael Danner . Migration as Avant-Garde Part I | Part II

Refugees driven from country to country represent the vanguard of their peoples – if they keep their identity. “
– Hannah Arendt, We Refugees (1943)

The sun is sinking into the ocean in a postcard-perfect view, a watermelon is being sliced up on the beach, and a gold blanket glitters in the summer heat. Yet Michael Danner’s photographs subvert our expectations and counter our clichés of a sojourn on the Mediterranean. Almost imperceptibly, they displace our inevitable associations of idyllic vacations and reinterpret summer, beach, and sea to show the threats of a humanitarian catastrophe. In the settings of our vacation fantasies, twenty-first century refugees on the coasts of Morocco, Tunisia, Spain, Greece, and Turkey are confronted with danger, loss, and death. Such gold survival blankets have been a symbol for Europe’s refugee crisis since fall 2015. According to the UN, over 70 million people around the world are currently seeking refuge – more than ever before.

Michael Danner takes a political and anthropological approach in his work, in which explorations of conflict regions and their history play a central role. His long-term conceptual documentary project with the seemingly provocative title Migration as Avant-Garde (2008–2017) is a moving, critical, and rousing work about Europe’s borders. Danner’s surprising juxtaposition of the terms “migration” and “avant-garde” stems from his reading of political scientist Hannah Arendt’s essay We Refugees (1943). Beginning with her notion of flight as a radical act of self-determination and faith in progress, Danner’s project examines different forms of migration, including freedom of movement within the EU, labor migration, emigration, flight, and displacement. Migration as Avant-Garde deftly brings together numerous visual commentaries on the current global situation while allowing viewers to make their own interpretation and avoiding explicit depictions of desperate situations. Danner’s project is a counterpoint to the conventional journalistic narrative of news photographs. Instead of simply informing or deliberately shocking his audience, Michael Danner creates a visual dialogue about one of humankind’s oldest actions: moving from one place to another.

Migration as Avant-Garde, 2008–2017, C-Prints und Zwei-Kanal-Videoinstallation mit Stereosound © Michael Danner
Migration as Avant-Garde, 2008–2017, C-Prints und Zwei-Kanal-Videoinstallation mit Stereosound © Michael Danner
Migration as Avant-Garde, 2008–2017, C-Prints und Zwei-Kanal-Videoinstallation mit Stereosound © Michael Danner
Migration as Avant-Garde, 2008–2017, C-Prints und Zwei-Kanal-Videoinstallation mit Stereosound © Michael Danner

C/O Berlin is the first institution in the world to exhibit this project, for which Danner received the Dummy Award at the Fotobookfestival in Kassel in 2018. The sophisticated book design makes use of layers and collage, and the exhibition, curated by Dr. Kathrin Schönegg, translates this approach into three dimensions, with framed photographs, projected images, and designed fragments of text.

Michael Danner (b. 1967 in Reutlingen) is a German photographer who has worked for a number of magazines and agencies. Since 2016, he has been a professor of photography at the University of Applied Science Europe. He studied photo design at the Fachhochschule Bielefeld and photography at the University of Brighton. Danner has shown his work at international exhibitions including Fotofestiwal Łódź (2019), Darmstadt Photography Days (2018), Fotodoks Munich (2017), and Hereford Photography Festival (2010, 2004). Back in 2005, he took part in the group exhibition Born in the Sixties at C/O Berlin’s former location in Linienstraße. He has received support from Stiftung Kunstfonds (2012) and was awarded a grant for contemporary German photography from Museum Folkwang and the Alfried Krupp von Bohlen und Halbach-Stiftung (2018). He was nominated for the German Photobook Prize in 2014–15 and received the Dummy Award at the Fotobookfestival in Kassel in 2018 for Migration as Avant-Garde. The book was published in 2019 by Kehrer Verlag. Michael Danner lives and works in Berlin.

Framework program

Guided Tours
Saturdays + Sundays + holidays 2 & 4 pm (German), 6 pm (English).
5 € plus admission fee. Duration ca. 60 min.
Individual guided tours (English and other languages) and guided tours for classes can be booked as well.
Details

Sep 24 + Oct 22 + Nov 12, 2020, 7 pm
After Work Tour + Drink
Held in German.
17 € incl. exhibition, tour & drink.
End of the week at C/O Berlin: Get your weekend off to a relaxing start with an evening tour through our current shows and a cold drink! We will be keeping our exhibitions open into the early evening exclusively for you.
Details

Additional framework events will be added here in time. PiB’s weekly E-Newsletter also keeps you informed about each week’s accompanying events – free signup here.

Simultaneous exhibitions at C/O Berlin:
Harald Hauswald »Voll das Leben! . Retrospektive«
Felicity Hammond »Remains in Development«

EMOP Berlin – European Month of Photography 2020
Part of EMOP Berlin – European Month of Photography 2020
Oct 1 — 31, 2020
C/O Berlin Foundation

Sep 12, 2020 — Jan 23 extended until Mar 14, 2021
Opening Reception: Due to corona restrictions, no exhibition opening will be held.
Framework program: please see above

Amerika Haus, Hardenbergstraße 22-24, 10623 Berlin
[District: Charlottenburg | Borough: Charlottenburg-Wilmersdorf]

Opening hours: Daily 11 am – 8 pm

Admission: 10 € / reduced 6 € | Online Ticket

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PiB Guide Nº45 NOV/DEC 2022 © PiB (Photography in Berlin). COVER PHOTO: CM 13726, 2017, C-print, 170 × 226.7 cm, Edition L, 1 of 2 + 1AP © Michael Lange. Solo exhibition »Cold Mountain« at ROBERT MORAT GALERIE, read more on page 4 & 5!! +++ Photos on right double spread (pp. 4 & 5 in the PiB Guide Nº45), from top to bottom: 1) CM 16792, 2017, 100 × 133.3 cm, Edition L, 1 of 4 + 2AP. 2) CM 14992, 2017, 71.2 × 95 cm, Edition M, 1 of 5 + 2AP. 3) CM D1/1-18395, 2017, 2 × 100 × 133.3 cm / Diptych, Edition XL, 1 of 2 + 1AP. All 3 images: © Michael Lange, courtesy of ROBERT MORAT GALERIE, Berlin. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

PiB’s current print issue
PiB Guide Nº45
NOV/DEC 2022

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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