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PiB Guide Nº50 SEP/OCT 2023

A6 format · 28 pages · English & German

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PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ Photo on bottom double-page spread (p. 15): René and Georgette Magritte with their dog, 1967, silver gelatin print, 40 × 40 cm © Lothar Wolleh Estate, Berlin. Solo show at Lothar Wolleh Raum, Berlin-Mitte. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

Artist Talk

»Beyond the Ring«

Series #5 / Artist Talk Nº2

Anna Ehrenstein »Tales of Lipstick and Virtue«

You are cordially invited to attend the second talk in the 5th series of ‘Beyond the Ring’ – this time with an artist talk by Anna Ehrenstein.

‘Beyond the Ring’ is an informal set of artists’ talks / presentations / performances by international artists based in Berlin and visiting artists passing through. ‘Beyond the Ring’ is there to provide the opportunity for people to meet and share their thoughts, ideas and work. If you’re interested in joining in, you will see that there is life Beyond the Ring in Berlin.

Tales of Lipstick and Virtue © Anna Ehrenstein
Tales of Lipstick and Virtue © Anna Ehrenstein
Tales of Lipstick and Virtue, installation view © Anna Ehrenstein

»Tales of Lipstick and Virtue«

Authenticity has always been a central question in discussions concerning society. It is continuing to gain importance with the emergence of new phenomena such as fake news, alternative facts and instant online control possibilities. However, our definition of an authentic being or an authentic object and our understanding of how the two relate to each other tend to differ, often in line with cultural and geographical variance despite our global connections.
The photographic element of this multidisciplinary work consists of portraits in Albania and figurative fake-stills of brand imitations and counterfeit luxury out of the studio. They are what we call an imitation, a fake or a bootleg. How is a fake defined in contemporary society? And what reasons do people have to interact with these objects?
Can they be judged by their materiality or does there presence as imitations confine them to a shallow world of the pseudo-luxury?

“The profession of almost every man, even that of the artist, begins with hypocrisy,” Nietzsche writes, “with an imitation from without, with a copying of what is most effective.” The boundaries between an original and an imitation are invariably fluid and may even be as obsolete as the separation of nature and artifice.

Anna Ehrenstein works in transdisciplinary artistic practice with an emphasis on research and mediation. She studied photography and media art and is currently doing her post-graduate studies, whilst exhibiting internationally for example at the Centquatre in Paris, the Month of Photography in Los Angeles, the Organ Vida Festival in Zagreb or the Rencontres de la Photography in Arles. Upcoming Shows include the Folkwang Museum in Essen,  Lothringer Halle 13 in Munich and Shang 8 Gallery in Bejing. In her practice as an art mediator she prioritises working with varied social groups for example as part of the 10th Berlin Biennale for Contemporary Art or within the Young Arts Neukölln Art Center in Berlin.
www.annaehrenstein.com

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Walterstraße 30, 12051 Berlin
[Neukölln | Neukölln]

Admission is free / donations are welcome

Current photography exhibitions/events recommended in…
Berlin

C/O Berlin | »Mary Ellen Mark . Encounters«

Helmut Newton Foundation | Alice Springs »Retrospective«

Haus am Kleistpark Projektraum | Nora Bibel »Uncertain Homelands«

C/O Berlin | »Image Ecology«

KW Institute for Contemporary Art | Coco Fusco »Tomorrow, I Will Become an Island«

KW Institute for Contemporary Art | »SKIN IN THE GAME«

PiB Guide Nº50 SEP/OCT 2023 © PiB (Photography in Berlin). COVER PHOTO: From the series “Contrapasso” © Massimiliano Corteselli. Group show »Jahrgang S1EB7EHN« by Ostkreuzschule für Fotografie at Konnekt.Berlin in Berlin-Marzahn, read more on page 4 & 5! +++ 4 photos on right double page spread (p. 5), from top left to bottom right: 1) »…it's easier for me like that…« © Giulia Thinnes. 2) NBSW © Meret Eberl. 3) Contrapasso © Massimiliano Corteselli. 4) Unter Bäumen © Ania Sudbin. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller @julia.schiller_ · ele studio berlin · www.ele-studio.de +++ Printed on 100% recycling paper in Berlin-Köpenick by altmann-druck, many thanks!

PiB’s current print issue
PiB Guide Nº50
SEP/OCT 2023

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Discover great photography exhibitions/events in Berlin in PiB’s bi-monthly print issue, the PiB Guide. The PiB Guide Nº50 SEP/OCT 2023 has been published as a booklet, A6 format · 28 pages · English & German · worldwide shipping.

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Editorial deadlines · Redaktionsschlüsse

Print

You would like to publish something in the forthcoming PiB Guide Nº51 NOV/DEC 2023? The printing deadline is Thursday, October 19th 2023.

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PiB Online Features (= comprising a Website Feature + eNewsletter Feature + Social Media Posts) are possible at any time. PiB’s weekly eNewsletter is usually sent out on Tuesdays – for inclusion please send us your materials until Thursday (6 pm) the week before.

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Print

Du möchtest gerne etwas im kommenden PiB Guide Nº51 NOV/DEC 2023 veröffentlichen? Druckschluss ist Donnerstag, der 19. Oktober 2023.

Online

PiB Online-Features (= bestehend aus Website-Feature + eNewsletter-Feature + Social Media Posts) sind jederzeit möglich. PiBs wöchentlicher eNewsletter wird in der Regel dienstags versendet – für die Aufnahme darin senden Sie uns Ihr Material bitte bis spätestens Donnerstag (18 Uhr) der Vorwoche.

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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