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Print deadline • Druckschluss PiB Guide Nº54 May/June 2024
⤷ Saturday, April 20

Solo Exhibition

»Microcosm Macrocosm«

Yamamoto Masao

The Japanese artist Yamamoto Masao first studied oil painting, before he discovered photography as his ideal medium due to its particular capacity to evoke memory. Yamamoto is known for his small-format silver gelatin prints, that he reworks through tinting, painting over them, or other manual interventions to the point that they almost become objects, carrying reminiscences of the past. As diverse as his motifs are, his images are expressions of an attitude of humility, as propagated by the Chinese philosopher Laozi, who considered humanity as only one small part of nature, which in turn is merely a miniscule part of an immense universe. By observing all the minute things around him, Yamamoto finds a key for accessing the all-encompassing nature of the universe that he captures on photographic paper.

For the exhibition at the Alfred Ehrhardt Foundation, Yamamoto is creating a wall installation that inconspicuously integrates selected works by Alfred Ehrhardt. Particularly meaningful to Yamamoto is Ehrhardt’s “constructive and structural eye for the beauty of nature, that archives the artistic forms of nature.” Yamamoto’s work demonstrates a fundamental correspondence between Ehrhardt’s worldview as characterized by natural philosophy and his own, Japanese perspective on nature.

In addition, Yamamoto presents photographs from his Shizuka series (shizuka meaning “cleansed,” “pure,” or “immaculate”), which shows things that he found in the woods surrounding his home, and which like “precious jewels carry the peaceful breath of nature within.” In his Bonsai series, Yamamoto continues in direct fashion the 100 or even 200 years of dialogue that has existed between bonsai trees and bonsai masters. This body of work reflects both the enigmatic qualities of a miniaturized, compact universe that can essentially be held one’s hands and the mystery of the universe generally, whose immensity overwhelms man’s senses.

YAMAMOTO Masao, b. 1957 in Gamagori in Aichi Prefecture, Japan. His first exhibitions were held in 1994 and 1996 in San Francisco and New York and were followed by countless others in the US, Europe, Japan, Russia, and Brazil, including, most recently, at Craig Krull Gallery, Santa Monica, CA in January 2018. His work is in the collections of prestigious international museums such as the Museum of Fine Arts, Houston; the International Center of Photography, New York; the Victoria & Albert Museum, London; Maison Européenne de la Photographie, Paris, et al. He has released numerous book publications in the US, Spain, Japan, and Germany, which have been reviewed in the NY Times, Los Angeles Times, and numerous well-known art magazines. Yamamoto lives in Yatsugatake Nanroku, Yamanashi Prefecture, close to nature, whose themes he incorporates into his work.

Accompanying events

Sunday, September 16, 2018, 2 pm
Artist Talk Dr. Madoka Yuki with Yamamoto Masao.
The talk will be held in German.
Details

Wednesday, October 17, 2018, 7 pm
Book presentation with Dr. Roland Jaeger:
Foto-Auge Fritz Block: Vom Fotoarchiv zum Fotobuch
Details

Sunday, Nov 18, 2 pm
In the series “Literaturhaus der Fotografie”:
Ein Sternbild der Philosophie. Wolfram Eilenberger‘s “Zeit der Zauberer”
Held in German.
Details

For further details about all accompanying events please visit the website of the Alfred Ehrhardt Foundation.
Admission to all events is free. Please register by email.

The exhibition is part of EMOP Berlin — EUROPEAN MONTH OF PHOTOGRAPHY 2018.
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Sep 15 — Dec 23, 2018
Opening Reception: Friday, September 14, 7 – 9 pm
Opening remarks: Dr. Madoka Yuki
Framework program: please see above

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Auguststraße 75, 10117 Berlin
[Mitte | Mitte]

Opening hours: Tue – Sun 11 am – 6 pm, Thu 11 am – 9 pm

Admission free

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PiB Guide Nº53 MAR/APR 2024 © PiB (Photography in Berlin). COVER PHOTO: Wände, Mauern, Zäune und andere Begrenzungen, 1985-89 © Situation Kunst / Dietmar Riemann. Solo show »Innere Angelegenheiten« by Freundeskreis Willy-Brandt-Haus in Berlin-Kreuzberg, read more on page 4 & 5! +++ +++ 4 photos on right double page spread (p. 5, Top to Bottom/Left to Right): 1) Wände, Mauern, Zäune und andere Begrenzungen, 1985–89. 2) Renntage – Menschen auf der Trabrennbahn, (Ost-)Berlin-Karlshorst, 1975–76/1979. 3) Schaufenster, 1986–89. 4) Warten – Fotografien aus dem Pflegeheim St. Elisabeth-Stift Berlin, 1984–85. All images: © Situation Kunst / Dietmar Riemann. +++ PiB Guide Editor / V.i.S.d.P. / Art Direction: Julia Schiller · ele studio berlin. Printed by altmann-druck in Berlin-Köpenick, many thanks!

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»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.
»PiB — Photography in Berlin« | PiB’s website, PiB’s weekly E-Newsletter, and the bi-monthly published PiB Guide: page 12 & 13 from the PiB Guide Nº15 Nov/Dec 2017; feat. the exhibition Evelyn Hofer »Cities, Interiors, Still Lifes. Photographs 1962 – 1997« at Galerie Springer Berlin; image credits: Queensboro Bridge, New York, 1964 / Coney Island, New York, 1965 / Girl with Bicycle, Dublin, 1966, all 3 photos © Evelyn Hofer, Estate Evelyn Hofer.

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