The galleries in Berlin are currently closed to visitors until further notice in order to help contain the spread of the coronavirus. Stay healthy, STAY AT HOME, and enjoy exploring the artworks digitally here on PiB! ps: Also follow PiB on Instagram for the upcoming takeovers by gallerists & artists!
Als Schutz vor der Verbreitung des COVID-19 Virus sind die Berliner Galerien für den Publikumsverkehr geschlossen. Bleibt gesund, BLEIBT ZUHAUSE, und genießt die Ausstellungen ausnahmsweise in digitaler Form hier auf PiB! Ps: Folgt PiB auf Instagram für die kommenden Takeovers von Galerist*innen & Künstler*innen!

Solo Exhibition

»Cinémas perdus«

Richard Thieler

Update March 17, 2020
From Tuesday, March 17, 2020 onwards, Galerie Poll will be open by appointment only. This measure is intended to minimise the spread of the coronavirus. We ask our visitors for their understanding.
PiB will keep you informed here about further updates.
The gallery can be reached by phone and email during its regular office hours.

In the meantime, enjoy Richard Thieler’s works digitally here on PiB!

For the 70th Berlinale, Galerie Poll is showing cinema photographs by Richard Thieler in its Schaulager. Under the title Cinémas perdus, the gallery will present its second solo exhibition of works by Thieler, who was born in Berlin in 1963, bringing together around thirty colour photographs of abandoned cinemas from Germany, Denmark, France, Great Britain, the Czech Republic and the United States made between 2011 and 2019.

Thieler photographed the Lido cinema in Brunswick, Germany, in 2018. The photograph serves as the motif for the exhibition’s invitation card and poster. The Lido was opened in 1958 in a former air-raid shelter opposite the city’s main railway station. At the time, there were twenty-one cinemas in Brunswick. The Lido has been closed since 1984, and today the building houses a discotheque. In 2020, Brunswick still has two multiplexes, a cinema run by a student association and two seasonal film screening locations in Brunswick Palace and the Audimax of the Technical University. This decline is exemplary for the worldwide loss of cinemas, which began in the late 1950s with the arrival of the television set in households and is now being driven by video, DVD, special-interest TV channels and Internet services such as Netflix.

The photographer usually approaches the cinemas he photographs from the front, showing either the entire building in a frontal view or an architecturally characteristic section of the facade. In any case, Thieler makes sure that the cinema’s name always remains visible. This consistent composition allows him to emphasize the formal similarities of cinema architectures that are located geographically far apart, and a comparative view produces a special tension in this photo series.

In the meantime, Thieler has photographed around 600 cinemas worldwide – open and closed, by day and by night – and has presented them in solo and thematic exhibitions in Berlin and elsewhere, including in 2017 at the Kunsthalle Erfurt. Over the past eleven years, he has created a unique cultural-sociological and architectural-historical documentation of cinemas. The photographs contain details such as film posters, billboards, or graffiti, as well as depictions of everyday life around the cinemas as places where people come together in public. Since every viewer brings their own story to a cinema, Thieler succeeds in evoking personal memories with his photographs and thus capturing the cinema’s magic.

Galerie Poll

Feb 25 — Mar 21, 2020
Opening Reception: Saturday, Feb 22, 4 – 7 pm

Gipsstraße 3, 10119 Berlin
[District: Mitte | Borough: Mitte]

Opening hours: Tue – Sat 12 – 6 pm, and by appointment

Admission free

Current photography exhibitions/events recommended in…
Berlin | Mitte

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MAR/APR 2020

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